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From Chapter 3: This brief "Character" is hardly so pointed or so effective as some of the others in the "Micro-Cosmographie," but it would seem that the Bishop was not very friendly to tobacco. In the character of "A Drunkard" he says: " Tobacco serves to aire him after a washing [ i.e. a drinking-bout], and is his onely breath, and breathing while." In another, a tavern "is the common consumption of the Afternoone, and the murderer, or maker away of a rainy day. It is the Torrid Zone that scorches the face, and Tobacco the gunpowder that blows it up."
From Chapter 7: It has sometimes been said that Swift smoked; but this is a mistake. He had a fancy for taking tobacco in a slightly different way from the fashionable mode of taking snuff. He told Stella that he had left off snuff altogether, and then in the very next sentence remarked that he had "a noble roll of tobacco for grating, very good." And in a later letter to Stella, May 24, 1711, he asked if she still snuffed, and went on to say, in sentences that seem to contradict one another: "I have left it off, and when anybody offers me their box, I take about a tenth part of what I used to do, then just smell to it, and privately fling the rest away. I keep to my tobacco still, as you say; but even much less of that than formerly, only mornings and evenings, and very seldom in the day." One might infer from this that he smoked, but this Swift never did. His practice was to snuff up cut and dried tobacco, which was sometimes just coloured with Spanish snuff. This he did all his life, but as the mixture he took was not technically snuff, he never owned that he took snuff. Another cleric of the period, well known to fame, who took snuff but also loved his pipe, was Samuel Wesley, rector of Epworth, Lincolnshire, from 1697 to 1735. He not only smoked his pipe, but sang its praises: In these raw mornings, when I'm freezing ripe, What can compare with a tobacco-pipe? Primed, cocked and toucht, 'twould better heat a man Than ten Bath Faggots or Scotch warming-pan. Samuel's greater son, John Wesley, did not share the parental love of a pipe. He spoke of the use of tobacco as "an uncleanly and unwholesome self-indulgence," and described snuffing as "a silly, nasty, dirty custom."
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Cigarette and Tobacco Information:
From Chapter 3: Musicke, tobacco, sacke and sleepe, The tide of sorrow backward keep. An ingenious lover of his pipe declared ironically in the same year that he had found three bad qualities in tobacco, for it made a man a thief (which meant danger), a good fellow (which meant cost), and a niggard ("the name of which is hateful"). "It makes him a theefe," he continued "for he will steale it from his father; a good fellow, for he will give the smoake to a beggar; a niggard, for he will not part with his box to an Emperor!" A character in one of Chapman's plays, 1606, calls tobacco "the gentleman's saint and the soldier's idol." A little-known bard of 1630—Barten Holiday—wrote a poem of eight stanzas with chorus to each in praise of tobacco, in which he showed with a touch of burlesque that the herb was a musician, a lawyer, a physician, a traveller, a critic, an ignis fatuus, and a whiffler, i.e. a braggart. The first verse may suffice as a specimen:
From Chapter 8: Johnstone, Parr's biographer, referring to his hero's failure to obtain preferment to the Episcopal Bench about the year 1804, says—"His pipe might be deemed in these fantastic days a degradation at the table of the palace or the castle; but his noble hospitality, combined with his habits of sobriety, whether tobacco fumigated his table or not, would have filled his hall with the learned and the good." A portrait of Parr hangs in the Combination Room in St. John's, Cambridge. Originally it represented him faithfully with a long clay between hand and mouth; but for some unknown reason the pipe has been painted out.
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Tobacco History:
Cigarettes and Literature
From Chapter 1: Perhaps the most likely scene of Raleigh's first experiments in the art of smoking was Durham House, which stood where the Adelphi Terrace and the streets between it and the Strand now stand. This was in the occupation of Sir Walter for twenty years (1583-1603), and he was probably resident there when Hariot returned from Virginia to make his report and instruct his employer in the management of a pipe. Walter Thornbury, in his "Haunted London," referring to the story of the servant throwing the ale over his smoking master, says: "There is a doubtful old legend about Raleigh's first pipe, the scene of which may be not unfairly laid at Durham House, where Raleigh lived." The ale story is mythical, but it is highly probable that Sir Walter's first pipes were smoked in Durham House. Dr. Brushfield quotes Hepworth Dixon, in "Her Majesty's Tower," as drawing "an imaginary and yet probable picture of him and his companions at a window of this very house, overlooking the 'silent highway':
From Chapter 6: At the coffee-house entrance was the bar presided over by the predecessors of the modern barmaids—grumbled at in a Spectator as "idols," who there received homage from their admirers, and who paid more attention to customers who flirted with them than to more sober-minded visitors. They are described by Tom Brown as "a charming Phillis or two, who invited you by their amorous glances into their smoaky territories." Admission cost little. There you might see—
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